Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Wednesday, January 23, 2013

Drop Dead Legs



1/01 - etc. 
Twilight Zone Marathon @ SyFyHD
On New Year's Eve I cleared my DVR to record over two days of episodes which I watched hours at a time over the next week or so. Really enjoyable, the first time I ever took to seriously learn the shows history, techniques, and influence (IMDB helped to navigate). Amazingly, this was not even the full run, there are still a few still to watch including the entirety of Season 4 which are hour longs, and thus not part of any syndication airings. Thankfully Amazon Prime and/or Hulu have them all available to stream.



1/02 
Made a shopping trip to Haight Street with a couple goals in mind: 
Amoeba to sell DVDs (most were titles I had upgraded to Blu-ray), Dr. Martens to buy some new shoes (haven't worn DM's since my twenties - they are SO comfortable), American Apparel (for some shirts). Then back on the 71 bus downtown to catch a movie…

The Impossible @ Century Centre 130pm (1:47) Tense, thrilling tear-jerker based on a true story with a grueling performance by Naomi Watts (with some nasty leg injuries). And some stunning special effects of tsunami devastation.

1/04 
Triple bill of films with strong female characters, two of which involve leg amputations.


Tristana (Bunuel, 1970) @ Opera Plaza 
Here's the whole darn thing on YouTube (be sure to turn on English captions)

Zero Dark Thirty @ Century Centre

Rust and Bone @ Embarcadero



1/11
Amour @ Clay
Amazing, sad, poetic. The bit with the pigeon… profoundly funny. Overheard a woman after saying it was a primer on taking care of the elderly. Not looking forward to it myself.


California Solo @ Opera Plaza -  Character study of a fallen former rock star. Right up my alley. Terrific performance from Robert Carlyle. Some very cool music on the soundtrack. Him selling his vintage Les Paul (instead of giving it to his estranged daughter) is a only a minor tragic moment in a story filled with much larger mistakes.


1/11-13
Showtime did their annual free preview weekend so I took advantage and watched all of Dexter Season 7 (12 episodes) and Homeland Season 1& 2 (24 episodes) via On Demand. This helped prepare me for Sunday nights Golden Globes during which Homeland won a few awards (again, at least this time I knew why). Even though, by many accounts, this second season was nowhere near as good as the first. I dunno, having wolfed down the whole affair in about two days, I enjoyed it all. Kinda made me forget about Dexter which was fun but seems to be running out of steam.

Had some drama with Comcast this month which I don't really want to get into all the details of right now (macroblocking). A technician finally made it out and seemed to have fixed the (minor) problem but now a week later, it's back. May be weather related. 

Around the same time our heat wouldn't work. After some tinkering with the thermostat and the gas heater itself I got it working again. A service visit from PG&E helped to confirm it.

1/17
Anna Karenina @ Stonestown - This was on my To See list from last year, but I ignored it after reading some middling reviews. A few Oscar nominations (cinematography, costume, score, production design) convinced me to go and I was pleasantly surprised how good it was (and how deserved those noms are). Looked and felt like a musical, but there was no singing. Kinda wish Les Miz had been more like this. Particularly impressed by the romantic score (Dario Marianelli) and supporting actress Alicia Vikander (who was so good in A Royal Affair).


1/18 
Latest episode of The Todd Glass Show podcast is one of its finest, due to the guest participation of two of my favorite comics (and both fans of Todd's show) Paul F. Tompkins and Jen Kirkman.


1/18-19 
The folks at Earwolf did a cool thing, signing up with the Video Podcast Network and video streaming a few of their shows (and others) live from Sundance. They were fun to watch and also awkward as the hosts had to deal with technical glitches natural for first-time efforts. Overall a success and good move towards the future. The shows aired (already among my favorites) were: Comedy Bang Bang (two episodes), You Made it Weird, Who Charted?, & Call Chelsea Peretti

1/20 
NFC Championship - SF 49ers beat Atlanta Falcons (after a lot of effort). Fun game, only the second NFL program I've watched all season. Would have stayed home to watch the AFC (Pats v. Ravens) but had to go to see some live comedy…


The Sklar Brothers @ Cobb's Comedy Club, 8pm - I wrote about twin brothers Jason & Randy a few weeks back. First time I seen 'em was two years ago at SF Sketchfest doing a live version of their podcast Sklarbro County, which I had just begun listening to.* Now I'm a regular and despite not being a "sports guy" I find their takes on the Wide World of Sports  hilarious. Their standup act is fast, funny, and smart. They will sometimes literally complete each others sentences, play out scenes as characters, or pile-on tagging each other's jokes (what they call an "avalanche," or "laugh-alanche"). I met them after, bought a shirt, and complimented the heck out of them and they were both gracious and friendly. Their podcast turned me on to The Sheepdogs, whose recent video they directed.


*Second time was at a particularly chaotic Benson Interruption, also part of SFSF 2011.

1/21
The Rabbi's Cat @ Embarcadero 
This was an exotic delight, like Matisse's forays into Morocco. Based on a French comic series. Really enjoyed the character designs, backgrounds, and peculiar side trips into different animation styles. Also appreciated the high and low mixture of silly sexual matters with serious religious critique, with all characters yearning towards a place of acceptance.



Mama / The Last Stand @ Metreon 
Mama was creepy/scary. Chastain was hot as a punk and the kids were effectively freaky. But the sound design was overdone (like a lot of modern horror) and the CGI creature, once fully revealed, was weak and a bit silly looking.

TLS - I don't care about Arnold and never have, so he was not the draw for me, it was  director Kim Ji-Woon whose previous films I have enjoyed (A Tale of Two Sisters, I Saw The Devil, and The Good, The Bad, & The Weird). His U.S. debut is dumb as hell but fun to watch, though not nearly as stylish as his South Korean work.

All month
The Simpsons Season 5 (1994) 4 discs @ Netflix. I consider this period the peak of this long-running series for both its dense plots and fluidity of animation. These are among my favorites and they set the bar high for the subsequent nearly 20 seasons since. Each disc has 6 episodes each, all with commentaries by the creative team which are both funny and informative. I am so familiar with these shows that I am only renting them now for the extra behind-the-scenes insights. Currently watching Season 6.


Wednesday, February 23, 2011

Horrible Art, Artful Horror

More late-night cable viewing of some classic and not so classic horror films.



Caught the rest of Student Bodies (1981), predecessor to the self-aware horror-comedies of today (Scary Movie, Scream, etc.). Not really frightening at all, but brimming with very broad humor, in an Airplane! sort of mode. 




Reviews:








28 Days Later (2002) 
A masterpiece from Danny Boyle (Slumdog Millionaire, 127 Hours), that manages to be both humane and inhuman. It alternates between being a suspenseful survival thriller to a sad and touching drama of loss and family legacy, and back again, several times. It is very messy (both in it's gore and emotional range).

Some idiot online called it merely a remake of Dawn of the Dead and that's way off (for starters, none of Romero's films look half this good). However, a number of scenes from AMC's recent The Walking Dead mini-series are lifted straight from this. 

Boyle's dynamic camera work and editing reminds me of the ADD-style of Edgar Wright but with more art, less winking at the audience. As this review of the BluRay from DVD Beaver  notes however, the shot-on video look of the film does not translate well to HD. The smaller your screen the better it will look. But the sound design and score are excellent and should be played LOUD.



















An "enhanced" trailer 

Caught a bit of the H.G. Lewis minor-piece Color Me Blood Red (1965) on CKMT.
I own this as part of a Lewis box set of his influential schlock movies from the 60s. This a goofy bit of exploitation that is more silly than scary, about a frustrated artist who finds inspiration through murder.  Barely watchable – not for it's gore but for it's ineptness.












The revamped Elvira show presented Mel Welles Lady Frankenstein (1971), a lurid attempt at a Hammer horror, mostly notable for the sexy daughter played by Rosalba Neri. The doctor himself is played by veteran actor Joseph Cotten, fallen far from his days with Hitchcock and Welles. 






Some reviews:

Trailers and clip reels:













And for an entirely different kind of "body horror": the award-winning The Diving Bell & The Butterfly (2007), which was elegantly made, using every trick in the book to not be visually dull, considering the protagonist is completely paralyzed. Back in the Eighties I was not a fan of director Julian Schnabel's oversized construction/paintings, but as a film-maker his everything-but-the-kitchen-sink approach makes sense now, especially when grounded by such an emotionally wrenching story.







Caught a bit of Dark Mirror (2007) but it didn't make enough of an impression to say much about it, besides looking nice.



Also watched Birdemic: Shock and Terror (2008) with Rifftrax commentary. A confounding mess of a movie, reimagining Hitchcock's The Birds with even less-convincing special effects. The first half is mostly a goofy romantic fantasy where a software sales-nerd courts a supermodel, then it abruptly shifts gears when the poorly CGI'd birds start attacking the population of the Bay Area. Some very heavy-handed ecological themes make it seem as if this was a sincere statement by the director. Funny remarks from the riffing crew made this one bearable, reminding me at times of MST3K classics like Manos and The Killer Shrews

Matt Singer of IFC gave it a thoughtful review here